Mushroomhead – Superbuick

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Dude, these dudes are on acid… Everything’s like subliminal and all mixed-tunes and shit. It’s weird, man. 

Mushroomhead’s second full-length album Superbuick was released in 1996 and is commonly referred to as being the band’s greatest work. Featuring familiar elements that carry over from the first album along with some new twists and turns, Superbuick is another trip down the dark, cracked and bleary streets of Cleveland, Ohio. Utilizing biting guitars, crisp piano playing, various TV & movie snippets and the unmistakable growl and shriek of co-singers J Mann and Jeffrey Nothing, Mushroomhead spend 46-minutes in the odd world of avant garde metal music that they know all too well.

If Mushroomhead’s first album was the kind-of-fun, hillbilly-house-party rave, then Superbuick is the post-date-rape, wake up feeling groggy not knowing where you are, trapped in a box in a cellar, soundtrack to a murder scene. This album definitely has a sinister overtone to it all. Somebody is having fun but it definitely isn’t the victim.

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Vinyl Wednesday: Korn – Here To Stay

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Another Wednesday, another record to display. This week’s winner is a 7″ single from Korn entitled “Here To Stay” that was released in 2002. A Hot Topic exclusive pressing of only 5,000 on transparent blue vinyl that I’m sure had no problem selling out as Korn were the biggest thing going in the Nu-Metal scene.

I picked this record because it’s the second record I ever purchased and I was feeling a bit nostalgic. The first record I bought was Back In Black (post about that here) and then came this record a few years later. I think I had a turntable at this time but something was wrong with the wiring and I couldn’t get sound to the speakers. Then, this sat on the shelf for years until I was able to properly give it a spin. I believe it’s a little warped now (from not really knowing how to care for vinyl back in my younger years) and it skips once or twice on the A-Side. No big deal to me. The imagery is taken from the “Here To Stay” music video along with the typeface from the Untouchables album design. Simple and cool. Add in a nice, electric-blue color to the vinyl and you’ve got yourself a winner. Check it out!

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Vinyl Wednesday: Static-X – Wisconsin Death Trip

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FINALLY!

Static-X’s 1999 album Wisconsin Death Trip is one of my all-time favorite nu-metal albums and it’s finally on vinyl courtesy of Music on Vinyl. If you aren’t really familiar with this album then you should be. Chances are that you’ve heard the song or seen the video for “Push It” but you don’t know who made the song. Characterized as “Evil Disco” by the band’s frontman Wayne Static, this album is equal parts weird, melodic, fast and heavy. I dig it the most.

I have two pretty good memories of this album. The first is from the winter of ’99. My main man T-Bubbs got the CD from his parents for Christmas. We listened to it a whole lot that winter. Lots of days and nights just sitting in the upstairs of his house cranking the CD to the max. I liked it so much I even ended up going out and buying the digipack single for “Push It”. CD singles. Ha! What a relic of past times (for most people). The second memory I have of Static-X is seeing them live at Ozzfest 2007. T-Bubbs is actually present in this story as well. Weird. Anyway, we weren’t expecting much out of Static-X in a live setting but we were completely blown away with how fantastic they sounded. I don’t know if it was just the perfect day/setting for them but it was awesome. Lots of energy, HUGE thumping bass and lots of Wayne Static bobbing his head back and forth while playing guitar and singing. A very fond memory of simpler times.

Sadly, Static-X fell apart in 2009, was reformed in 2012 and then frontman Wayne Static died in 2014. No more Static-X. That’s a real bummer for me. I always looked forward to whatever they were putting out. It may not have always been as fun, unique or good as their first few albums but I did still enjoy it.

Now, onto the artwork. The art contained in this release looks like the 90’s action-sports culture. Picture skateboarding/BMX/snowboarding graphics in your mind and this album fits right in with it. I swear it’s like looking through a CCS, Mongoose Bikes and any other outlying-sport’s catalog. I love it. Big, bold colors and type. Lots of texture. Odd photo treatments. It perfectly fits the band and the times.

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