This July 4th holiday weekend was supposed to be spent on the motorcycle and at the drag races but the weather has made that a non-starter. The drags are dry but it’s wet where I am so that was a no-go. Hopefully the rest of the weekend is a little drier and I get on the bike a bunch. As a consolation I offer these photos from the 2016 Autumn Cruise to the weather gods. Give em a peek and see some pretty stuff. This is the last round of photos so take them in and look ahead to possibly seeing more from later this year.
Well, well well…it has been a VERY long time since I’ve posted any car photos. There are numerous reasons for that: life, motorcycles, jobs, lack of quality computer, and more. I finally fixed one of those reasons when I recently bought myself a newly updated iMac. Lightroom is now running quick and smooth so I’m getting back in the saddle with these photos. Check ’em out and if you like something then give a comment. I’m working on potentially selling some photos from my various car outings. I hope that it can be a small revenue stream that also gets me out and about over the summer. If you are interested in a print then hit me up in the comments or by email/text if you know me personally.
I’ve been sitting on this image for a while (obviously) but I had to finally share it as I just love it when the internet does something amazing completely by accident. It looks like the big white guy is sending a hook shot right toward the hoop in the corner of the photo. Also great is how they misspelled “Bracketology” and it is their own term.
Over the past winter, I (along with a few of my trusted buddies) embarked on a long journey to spruce up the Sportster that I got last summer. There was nothing actually wrong with it other than a battery cable that snapped in half but I really disliked the color of the thing and the really ugly, hand-painted cancer ribbon on the back fender. There was actually a fairly neat painting on the rear fender as well but it was always obscured by the big seat so it had to go too. Out with the old and in with the new.Continue reading
I’ve been kind of busy lately between work and motorcycle stuff and, as you may have noticed, I’ve pretty much stopped posting vinyl stuff on here. The reason behind that is because I have been working on a new blog dedicated to just those posts. I’ve been migrating posts over to that site and getting all the workings happening. I’ve even added a few new posts already. I made the move so that it was a bit more freeing. I didn’t want to post just on a certain day or feel like that was ALL that I was posting. I’d like to get this blog back into the realm of life and design.
The image above shows the logo I’ve been working with. I have a few iterations of it and I’m digging them all. It’s got a 70s record label vibe happening and that style is even more prevalent in some of the other designs. Really groovy stuff.
Anyway, I urge you to check out my new vinyl home if you liked what I was doing before. The new site can be found at epochvinyl.com. Let me know if you like it. Hell, let me know if you hate it. I’m cool with either.
In 2015 I started a project which had me designing jackets and other artwork for 7″ records that had none. In my collection was the Dio/Killswitch Engage “Holy Diver” single from the Side By Side series. This was released for Record Store Day 2013 on “oxblood red” vinyl and it was limited to 2,800 pressings. If you know anything about Classic Rock/Heavy Metal then you already know about “Holy Diver” and all of the unholy awesomeness that it holds. Killswitch Engage covered the song in 2006, originally appearing on a Kerrang! compilation album but it was also later released on the special edition of KsE’s 2006 album As Daylight Dies. The original is amazing, the cover is good in its own right but the artwork for this release was severely lacking. That’s where I came in.
I really wanted to do some cool artwork for this release but for the longest time I was totally stumped on what to create. I had visions of a modern re-imagining of the iconic cover image but it just wasn’t ever good enough when I put the ideas to the computer. In the end I decided it was best not to mess with what is already great and a super detailed die cut was settled upon. In all reality this was the best decision I could have made. It stands out from the rest of my project, looks amazing and adds a level of bitchin’ looks that was missing from the release. The only real decisions I had to make was how to treat the tracklisting, liner notes and logos. I decided on a small flap on the back side so that I wouldn’t take away from the die cut image and also because it just doesn’t require anything larger. Keep it simple, stupid. The only design I really had trouble coming up with for this part was the 45RPM graphic. I went with a design that gives a nod back to the 80s roots of the song with a modern treatment.